Photography Alessandro Dal Buoni
Styling Lale Aktay
Model Thorben Gärtner
ALESSANDRO DAL BUONI
Monday, 1 October 2012
Sunday, 30 September 2012
Rolling Stone
Photographer Alessandro Dal Buoni
Styling Simona Melegari
Models Karl Morrall and Benjamin Eidem
Thursday, 14 June 2012
Baptiste Radufe + Yohji Yamamoto - SUCCESS CREATION
Photographer Alessandro Dal Buoni
Styling Mauricio Nardi
Model Baptiste Radufe at Success
wearing Yohji Yamamoto
DUTCH PARADOX Galeries Lafayette windows
DUTCH PARADOX
Lafayette Maison windows
Galeries Lafayette
Paris 31 May to 23 June 2012
Photographs and Videos Alessandro Dal Buoni
Model Axel Gillot at Success
(snaps © Thibaut Voisin)
Sunday, 27 May 2012
DUTCH PARADOX on GUSMEN.COM
This
will be the window where austerity and discreet luxury will coexist. It
will happen in Paris, in the windows of LAFAYETTE MAISON.
The DUTCH PARADOX is a sequence about Dutch contemporary art scene & fashion punctuated by enigmatic objects. “Strange” shapes, ambiguous purpose…
Initiated by the art direction duet MOSIGN (Luca Marchetti & Emanuele Quinz) and animated by photographer and video director ALESSANDRO DAL BUONI, the event displays the “paradox” relationship between appearances & appropriation.
The man in motion around the object, fidgeting, exploring ways…
A powerful visual expression like a minimal choreography.
DUTCH PARADOX from May 31 to June 23 2012.
Lafayette Maison windows
Galeries Lafayette, 38 Bd Haussmann 75009 Paris
Model Axel Gillot @ Success
Thin Man Bench-Atelier Van Lieshout
Trousers Francisco Van Benthum
Photography & video Alessandro Dal Buoni
The DUTCH PARADOX is a sequence about Dutch contemporary art scene & fashion punctuated by enigmatic objects. “Strange” shapes, ambiguous purpose…
Initiated by the art direction duet MOSIGN (Luca Marchetti & Emanuele Quinz) and animated by photographer and video director ALESSANDRO DAL BUONI, the event displays the “paradox” relationship between appearances & appropriation.
The man in motion around the object, fidgeting, exploring ways…
A powerful visual expression like a minimal choreography.
DUTCH PARADOX from May 31 to June 23 2012.
Lafayette Maison windows
Galeries Lafayette, 38 Bd Haussmann 75009 Paris
Model Axel Gillot @ Success
Thin Man Bench-Atelier Van Lieshout
Trousers Francisco Van Benthum
Photography & video Alessandro Dal Buoni
Wednesday, 23 May 2012
DUTCH PARADOX Galeries Lafayette
DUTCH PARADOX
Lafayette Maison windows
Paris 31 May to 23 June 2012
Photograph by Alessandro Dal Buoni
Galerie de Galeries
Galeries Lafayette
Mosign
Monday, 23 April 2012
Q&A on GUSMEN
Born in Italy and currently based in London, his collaborations include DIOR HOMME and KRISVANASSCHE.
We chose to show a few of his latest images for the KRISVANASSCHE-LINDA FARROW collaboration… The first line of the KRISVANASSCHE sunglasses.
Alessandro kindly answered a few questions…
GUSMEN: Tell us how it all started…
ADB: I have always loved taking pictures. I was using my mom’s snap camera. Then during a trip to Paris with my friends that camera accidentally fell into the Seine. So for my birthday, my mother gave me my first 35mm camera. Many years later, right after finishing the MA in Photography at the University of Westminster, I wrote a letter to Paolo Roversi, his office called me, and I went to Paris to meet him and assisted him a few times. It was magical and enlightening. Around the same time I published my first image, styled by Riccardo Tisci.
That’s how it all started.
GUSMEN: We are obsessed by the sharpness of your photographs. Does it mean something in particular or is it to ensure some kind of legibility?
ADB: It’s just the way I see things, my aesthetic. I’m not obsessed with the technical side of photography. I like clarity, and purity, and always aim for the essential and avoid the superfluous.
GUSMEN: Where do you look at for inspiration?
ADB: Films (Antonioni, Tarkovsky). Modern Dance (Pina Bausch, Sidi Larbi Cherkaoui). Youth movements (anything from boy scouts to goths). And the essential simplicity of certain photographers like Frantisek Drtikol, George Platt Lynes and Robert Mapplethorpe.
GUSMEN: How would you define the KRISVANASSCHE style?
ADB: Pure, honest, coherent.
GUSMEN: Where do you see yourself as from now?
ADB: Enjoying each moment, and following my instinct.
We chose to show a few of his latest images for the KRISVANASSCHE-LINDA FARROW collaboration… The first line of the KRISVANASSCHE sunglasses.
Alessandro kindly answered a few questions…
GUSMEN: Tell us how it all started…
ADB: I have always loved taking pictures. I was using my mom’s snap camera. Then during a trip to Paris with my friends that camera accidentally fell into the Seine. So for my birthday, my mother gave me my first 35mm camera. Many years later, right after finishing the MA in Photography at the University of Westminster, I wrote a letter to Paolo Roversi, his office called me, and I went to Paris to meet him and assisted him a few times. It was magical and enlightening. Around the same time I published my first image, styled by Riccardo Tisci.
That’s how it all started.
GUSMEN: We are obsessed by the sharpness of your photographs. Does it mean something in particular or is it to ensure some kind of legibility?
ADB: It’s just the way I see things, my aesthetic. I’m not obsessed with the technical side of photography. I like clarity, and purity, and always aim for the essential and avoid the superfluous.
GUSMEN: Where do you look at for inspiration?
ADB: Films (Antonioni, Tarkovsky). Modern Dance (Pina Bausch, Sidi Larbi Cherkaoui). Youth movements (anything from boy scouts to goths). And the essential simplicity of certain photographers like Frantisek Drtikol, George Platt Lynes and Robert Mapplethorpe.
GUSMEN: How would you define the KRISVANASSCHE style?
ADB: Pure, honest, coherent.
GUSMEN: Where do you see yourself as from now?
ADB: Enjoying each moment, and following my instinct.
Image source: www.alessandrodalbuoni.com; www.krisvanassche.com
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